|
STATEMENT
FROM THE WOODSTOCK PRESERVATIONISTS
Members of the Bethel Planning
Council, Representatives of the Gerry Foundation, and the good people of
Bethel: This statement represents a culmination of effort to preserve
and protect the site of the 1969 Woodstock festival, since the
announcement of the development of the Performing Arts Center.
It is well known to the people of Bethel and Sullivan County that
it has been the various incarnations of the Woodstock Preservation
Alliance (WPA) that have served to demand accountability from the Gerry
Foundation on their plans to develop the 38 acres known, world-wide, as
the Original Woodstock Site. I present this statement on behalf of those
who cannot be here tonight. Those who for the last few years have
remained connected to this cause by phone, Internet, mail and face to
face contact. This is not, and never has been, a local issue. We are
world-wide and we are here tonight.
We, the Woodstock
Preservationists, have pleaded for reason from the Gerry Foundation for
what seems years now. We have made it clear through petitions, press,
letters, and nominations to national endangered places lists, that we
see the Original Woodstock Site as a unique national and global
treasure, that deserves better than to built upon and fenced in. We have
worked day and night, to foster relationships with the National Historic
Trust in Washington DC and the New York State Historic Preservation
Office, to make sure they understood what was at stake. These government
bodies have been open, attentive, and supportive to our concerns - and
we feel that we have been heard. Unfortunately, it has been a struggle
to be taken seriously by the very group that holds the fate of the
Woodstock site and the future of the Town of Bethel. A struggle from
which we have not backed down and instead has made our convictions even
stronger. We want to build bridges for communication, if you will let
us. We, preservationists, do not want to scold or alienate the Gerry
Foundation, however; with letters of desire to list the site as an
Historic Landmark - not responded to; with emails and calls for a
meeting with the Gerry Foundation to give input to make this venture
successful - ignored; with correspondence to Alan Gerry himself from
Woodstock co-creator Artie Kornfeld - not returned, we have faced
discouragement that the callousness and exploitive capitalism of modern
America is about to take away one more piece of irreplaceable global
history.
That is not to say that we
don’t feel that Mr. Gerry has best intentions for Bethel and Sullivan
County. His philanthropic endeavours for this county are unquestionable
and his love and generosity for this county unparalleled. That is not to
say that we are not pleased with the recent changes in the overall plans
for the downsizing of the Central Core buildings. However, we stand firm
on the ideal that the PAC and the Woodstock site can co-exist, unfenced,
with a permanent stage on the bowl, and an upper plateau undisturbed by
concrete and steel. A true preservation of
“The Garden” - known to millions through fact and myth. This
undoubtedly will be the drawing feature for a venture that will need to
be unique to compete for patrons with other venues, and motivate
visitors to travel to an area which has been economically depressed for
decades.
Thousands of dollars have been
spent to hire experts and firms to describe Woodstock; it’s
significance and relevance to today, and how it can be marketed. These
are people who have no connection to the event and money cannot instill
an understanding of what is encapsulated in that 38 acres, no matter how
impressive their credentials. Meanwhile Woodstock’s co-creator and
soul, Artie Kornfeld, one of music’s most famous promoters, has been
rejected and ignored in his offer to share the true relevance of the
event and what attraction that land has to those who make the pilgrimage
to view it. What happens to the Woodstock Site will make or break Bethel
Woods, and that Mr. Kornfeld would not be wanted to give input on how to
make the most of this famous site, should be very worrisome to those in
decision-making positions. If
the experts are to be believed, then the Gerry Foundations’ own expert
who authored the cultural and social significance portion of the Gerry
Foundation draft EIS, a person paid by Alan Gerry, has made it know that
building on any part of the Woodstock site is a fatal mistake for the
long term survival of Bethel Woods. Even director Michael Wadleigh, who
brought Bethel to the world in the film Woodstock, stated in a letter to
the Town that developing the site, is a mistake. With 1700 acres to work
with, with your own experts and those who really understand the value of
the site undeveloped - saying it is in the venue’s best interest to
preserve “The Garden” and use the attraction of this music Mecca as
it appeared in ’69 to put Bethel Woods on the map, still,
buildings and other alterations are planned for that land. What will
bring the crowds is the magic and mythology of Woodstock. The bowl, the
upper field and the chance to hear music where IT all happened, those so
many years ago. Fence it;
build on it … destroy it. The day will arrive when Bethel Woods opens
its doors to the world. Once
the New York Times, Rolling Stone Magazine and everyone else lets the
dust settle with how impressed they are with the design of this complex,
they will turn to those who embody what Woodstock was, (the Kornfeld’s,
the Wadleigh’s, the Woodstock Generation) asking them what they think
of what you’ve done to the site and what they think of your Bethel
Woods. Should that judgement day come, we fear that the hundreds of
thousands, if not millions of dollars spent on marketing and public
relations won’t undo the opinions of those for whom you need a stamp
of approval to make this work. As supporters of the Woodstock
Preservationists, those who hold that stamp may choose to speak their
minds. And should that spell the doom for Bethel Woods Center for the
Arts - we will not be jumping for joy singing “We won, We Won” We
will have all lost. You, me, the world. That’s not sentiment. That’s
a fact.
We would like to work with the
Gerry Foundation to find practical solutions to issues such as the need
for removable fencing systems, during large scale events on the bowl,
that would allow the site to remain unobstructed when not in use. And
how WE, the preservationists, could help the Gerry Foundation spread the
word to the world, that making the pilgrimage back to the Garden, housed
within Bethel Woods is still a moving experience, and how fitting it is
to be within a complex that celebrates the arts of all kinds. How an
unaltered Woodstock site could be utilized to promote venues that are
fitting with the spirit of the land, and fit with the spirit of Bethel
Woods, in the celebration the arts - These remain our goals.
As an educational component of
the complex, you plan to tell the story of the event of 1969. We are realistic about how relevant an event that tool place
so many years ago is perceived in today’s world.
Although we understand the deeper meaning and lessons contained
within the Woodstock story, why should people come here?
How are you going to make Woodstock relevant to a generation that
is generally apathetic about such nostalgic events? How will you
re-kindle the sentiments of To
the important buying power of the generation for whom this event
symbolizes, yet have moved on, raised families and left their youth and
the Woodstock era behind? How
are you going to make this unique drawing card to Bethel Woods relevant
to today? Maybe, just
maybe, it’s the passion of ordinary global citizens willing to fight
for an icon 35 years later, that is the story you need to tell. How the
Garden, the irreplaceable icon of America in the 60’s, where almost
500,000 kids, during one of the most turbulent times in American
history, came together for what was just a music festival, and learned
how to survive through the spirit of caring and sharing. How it was
almost developed, fenced and erased - but elevated at the eleventh hour
to it’s proper place as an historic socially, culturally and
spiritually significant landmark. How it was left undisturbed by
progress, so that others could make the pilgrimage to Bethel Woods, and
experience “The Garden”. How leaving 38 acres free for festivals and
sharing of the arts was not deemed “a waste of good land”. That, my
friends, is your story. It’s steeped in fact. It’s steeped in
mythology. It is Woodstock. That’s what makes what you have relevant
today - if you choose it.
Bethel
Planning Board, we invoke you, do not approve the special uses permit to the Gerry
Foundation, not while the development plans reflect fatal errors in the
placement of buildings on the Woodstock Site. Request revisions. Choose
plans that reflect what the public expects to see...Yasgur's farm - not
the ethnic cleansing of the Woodstock generation and sanitizing of
history. You need to choose what side of the fence you want to sit on
when it comes to Woodstock … but choose wisely.
We preservationists, and
activists, who dwell under the name of the Woodstock Preservation
Alliance, are grateful for the cause that was started by a few
individuals, who saw the need to protect the Woodstock site. Those of us
who carry on the leadership of this movement are not the same people who
started it all, but our goals remain the same. In the previous meeting,
Mr. Wolinski stated that that the Gerry Foundation plans to meet with we
preservationists, to ensure that the project is carried out in the
manner and spirit intended. We look forward to that meeting. Hold you to
that meeting, and like it says in the song, ‘It’s been a long time
comin’
We continue to wish all
decision- making parties reason and clarity.
Thank-you
The Woodstock Preservation
Alliance
|